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  Vol. 60 No. 4, April 2003 TABLE OF CONTENTS
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  •  Online Features
  Art and Images in Psychiatry
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A Rake's Progress: "Bedlam"

Since this article does not have an abstract, we have provided the first 150 words of the full text and any section headings.

WILLIAM HOGARTH (1697-1764) was an English painter and engraver, humorist and satirist whose best-known works include several series of popular satiric engravings in which he ridiculed the viciousness and folly that he saw in the world around him.1 Hogarth was born in London, England, on November 10, 1697. At an early age, he showed artistic talent and was apprenticed to a silver engraver in London. Hogarth's fame began in 1731 with a series of 6 pictures called A Harlot's Progress, the first of his "modern moral subjects" (a progress being a journey toward a goal). Other series followed, including A Rake's Progress (1735) and Marriage a la Mode (1745). Editions of these engravings sold well. Hogarth played a major role in legislation leading to the artists' copyright law, often referred to as the Hogarth Act; he delayed the publication of A Rake's Progress until its passage. Hogarth responded to . . . [Full Text of this Article]



THIS ARTICLE HAS BEEN CITED BY OTHER ARTICLES

Yard With Madmen (El Corral de Locos)
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Arch Gen Psychiatry 2003;60:1068-1068.
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The Obsession of Envy (Monomanie de l'envie)
Harris
Arch Gen Psychiatry 2003;60:764-764.
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